The 14th Symposium of the ICTM Study Group on Music Archaeology will be
held in August 17-21, 2015, at the conference center and archaeological museum of Biskupin, Poland (near Poznań). This wonderful venue is located in the
nearby of Lake Biskupin close to the excavated and partly reconstructed
Bronze Age site of the same name.
In a way, Biskupin 2015 is meant to deepen the topics already raised and discussed during the last STG symposium inGuatemala (2013), focussing on the
means and principles of interrelations between past music cultures, a field where
is still much to be explored. The topic of the symposium is also related to the
scientific goals of the European Music Archaeology Project (EMAP), which has
been co-funded by the European Union for 5 years (2013-2018), and to which the
ICTM STG is an associated partner.
The symposium is co-organised with theInstitute
of Musicology , University of Warsaw ,
and will particularly focus on past music cultures across the European
continent, and how these cultures were related with each other in terms of the
interchanges in musical knowledge and practice. The time frame here is from the
earliest evidence of music in the Palaeolithic period to medieval times. Other
papers of the conference explore the mutual relations of past music cultures of
the European continent with music cultures of Asia, Africa, and the Americas , which
existed at certain periods of time.
Members of the conference committee are Arnd Adje Both, for the ICTM Study Group on Music Archaeology (adje at zedat.fu-berlin.de), Dorota Popławska (d.poplawska at bacewicz.edu.pl), Anna Grossman, for theArchaeological Museum
in Biskupin, Anna Gruszczyńska-Ziółkowska and Joanna Dubrawska-Stępniewska, for the Institute
of Musicology , University of Warsaw
(jdubrawska at gmail.com), and Olga Sutkowska (olga.sutkowska at udk-berlin.de).
In a way, Biskupin 2015 is meant to deepen the topics already raised and discussed during the last STG symposium in
The symposium is co-organised with the
Members of the conference committee are Arnd Adje Both, for the ICTM Study Group on Music Archaeology (adje at zedat.fu-berlin.de), Dorota Popławska (d.poplawska at bacewicz.edu.pl), Anna Grossman, for the
COMING AND GOING
The recommended days for travelling to Biskupin are: Sunday, August 16 (arrival), and Saturday, August 22 (return).
The nearest international airports are Berlin, for Germany,
and Warsaw, for Poland. From Berlin you would take a train
to Poznań. From Warsaw you would take a connecting flight to Poznań, or a
train to Poznań. From many European countries are also direct
flights to Poznań, operated by low-cost airlines (see links below).
From Poznań (airport & train station) we will organize shuttle transfers to Biskupin. The fare will be 20€ or 25€, according to the transport time (one way). Before, after, or during
the symposium, individual shuttles to the bus station of Żnin (nearest bus stop for buses from and to Poznań) or the train station of Gniezno can be provided.
ACCOMODATION
For full room and board at Biskupin, the total price will be c. 165€ / 650 PLN (Złoty). Please note that most rooms available in Biskupin are shared (double or triple rooms). We will book the rooms for you. Your accommodation expenses will be collected upon arrival. Please make sure that you are travelling to Biskupin with enough money in cash (€ or PLN).
CONFERENCE FEE
For the full symposium, the fee is 50€ / 200 PLN (student
rate: 25€ / 100 PLN). If you like to stay for a shorter period of time, the fee
is 15€ / 60 PLN per day (student rate: 7,50€ / 30 PLN). The fee covers technical support, coffee breaks, evening campfires, a
guided tour to the archaeological park and museum, a boat tour on lake
Biskupin, a train tour to Wenecja, and further activities not provided by participants of
the symposium (workshops, presentations, etc.). The fee will be collected upon
arrival.
PAPERS
(in alphabetical order)
ARCHAEOMUSICA: Creating a Multimedia Exhibition on Musical Instruments and Sounds from the Dawn of Humanity (40,000 BC) until the Final Notes of Classical Antiquity (AD 700)
Arnd Adje BothAncient Southeast Asian Monochord: Analysis of an Early Chordophone from Southern Vietnam
Fredeliza Campos Piper
From Mud to Music:
Ceramic Musical Instruments in Prehistoric Europe
Tinaig Clodoré-Tissot
Auralizing the
Medieval Great Hall: Beyond an Ocularcentric Approach
Catriona Cooper
Lost and Found Sound
in the Vale of Pickering: Exploring the Sonic Properties of a Early
Holocene Landscape through Sound Art
Ben Elliott, Jon Hughes & Mark Edmonds
Research Project: Archaeological Musical Instruments in Polish Museums
Anna Gruszczyńska-Ziółkowska
On the Inner-Christian Music Culture According to Johannes Chrysostomos
Anna Gruszczyńska-Ziółkowska
On the Inner-Christian Music Culture According to Johannes Chrysostomos
Jutta Günther
European Music
Elements in Traditional Maya Music
Mark Howell
The Medieval String
Instrument of Wolin: A New Discovery from Western Pomerania (Poland)
Andrzej Janowski, Stanisław Mazurek & Dorota Popławska
Archaeoaudition: Active Listening in the Past
David J. Knight
The Musical Bow in
Prehistoric Europe
Gjermund Kolltveit
Women and the calcophone
Maike LechlerMusic Archaeology of the Ural Region: Characteristics of the Musical Artifacts
Vladimir Lisovoi & Angelina Alpatova
The Magic Bullroarer
Cajsa S. Lund
Triton’s Trumpet, a Prehistoric Musical Instrument in Europe
Francesco MaranoArchaeological Soundscape and Music Culture in Protohistoric Italy between the Eastern Mediterranean Region and North-central Europe: A Contribution to a Systematic Approach
Sonia Modica
Picenian Pendants as
Possible Soundtools: A First Glimpse at a pre-Roman Italic Soundscape
Mirco Mungari
Engravings on Upper
Paleolithic Flutes: A Closer Look
Lana Neal
Horns of War: An
Account of Musical Horns in Scandinavian History, Myth and Legend
Hilde Nielsen
Discovering the Sounds of Medieval Estonia: Study on Bone Pipes from Towns, Hill Forts and Other Settlements
Madli OrasMystery-play in Ancient Armenia
Emma Petrosyan
The Singing Bone:
Medieval Bone Pipes from Turku, Finland
Riitta Rainio & Annemies Tamboer
Ringing Stones in the
Mesoamerican Context
Alejandro Ramos Amézquita
Bronze Age Rattles in
Europe and Mainland Southeast Asia - A Comparison
Gretel Schwoerer-Kohl
Trumpet, Flute and
Shawm: Three European Wind Instruments in Guatemala’s Indigenous Music
Culture
Matthias Stöckli
Workshop of Dionysus: Revival Project of the Ancient Double Pipes
Olga Sutkowska
Medieval Lyre and
Rebec Instruments from Novgorod and Poland
Nancy Thym & Thilo Viehrig
The Acoustic and
Musical Qualities of a Nugara, a Sudanese Rock Gong
Rupert Till
Playing Techniques of Palaeolithic Pipes
Simon Wyatt
WORKSHOPS
"NATURA ARTIS MAGISTRA" - MAKING ANIMAL CALLS
Workshop chairs: Annemies Tamboer, Riitta Rainio & Jean-Loup Ringot
POSTER
Sound Artifacts in the Archaeological Record of Teotihuacan
Dorothee Judith Arndt
CONCERTS & DEMONSTRATIONS
Nancy Thym & Thilo Viehrig
Paweł Kawczyński
Marian Kawkaxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
LINKS
ICTM Study Group on Music Archaeology
XIV Symposium of the ICTM STG on Music Archaeology
Polish railway
German railway